Sitting in his warmly furnished living room in Regent’s Park, in central London, Nicholas Mosley evokes an air of elegant bohemianism. A celebrated Booker-nominated novelist, winner of the 1990 Whitbread prize for his richly experimental Hopeful Monsters, he is also a skilled memoirist and has worked as a scriptwriter for the film directors Joseph Losey and John Frankenheimer. Now 86, he has just published a new novel and another memoir.
Educated at Eton and Oxford University, sustained by a private income, a baronetcy inherited in middle age, Nicholas has an air of quiet authority and detachment typical of the well-cushioned upper class but an effervescence all of his own. Almost as soon as I sit down, he says, “It’s very fashionable now to say one has had a terrible life. But I have had a rather good one.”
This lightness of spirit is all the more remarkable when you consider his background. For Nicholas, the eldest son of Sir Oswald Mosley, founder of the British Union of Fascists and half brother of formula one boss Max Mosley, is not just a member of one of Britain’s most renowned and controversial public families, he is that most dangerous of creatures – a writer in, and about, the family.
The Mosleys have been back in the headlines of late. Images of Oswald, strutting down London streets in his black shirt, have resurfaced following the election of two BNP MEPs in June. Max Mosley shot to unwelcome prominence last year after being caught engaging in S&M sex games, and subsequently taking on the News of World over intrusion into his privacy. Last week, he agreed not to stand for re-election as president of motor racing’s governing body. This all followed the tragic death of his eldest son, Alexander, 39, in May from an accidental drug overdose.
Of all Oswald Mosley’s children, Nicholas most clearly rejected his father’s rightwing politics while at the same time acknowledging mixed feelings about those close to him. Yet, in the end, Oswald Mosley chose Nicholas to be his official biographer. The resulting two volumes, Rules of the Game and Beyond the Pale, both published in the 80s, offer a candid account of Mosley’s private and public life, which went down well with reviewers.
But the wider Mosley family, including Max, were incandescent. After initially praising the book, privately, Oswald’s second wife, and Nicholas’s stepmother, Diana, told the press it was “the degraded work of a very little man … It’s all very well having an oedipal complex at 19, a second-rate son hating a brilliant father, but it’s rather odd at 60.…